Complete Recordings of John McCormack: Alphabetical Listing A

| A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | Y |

A

Abschied, see The Farewell

Absent (Catherine Young Glen/John W. Metcalf)

Lx 2430 (1907)

B 14672-1 (4-7-14)

Adeste Fideles (Traditional)

C 15849-1 (3-31-15)

CVE 36606-1, -2 (10-1-26)

Ah, Moon of My Delight (from “In a Persian Garden”) (Omar Khayyam, trans. Edward Fitzgerald/Elizabetta Nina Mary Frederika Lehmann)

C 10063-1 (3-16-11)

Ai nostri monti, see IL TROVATORE

AIDA: Celeste Aida (Antonio Ghislanzoni, after Camille du Locle and Auguste Mariette Bey/Giuseppe Verdi)

Lxx 3173 (1909)

AIDA: Tutto e finito … 0 terra addio (Tomb Scene) (Ghislanzoni/Verdi)

C 14694-1, -2 (4-9-14), with Lucy Isabelle Marsh, soprano

Alba Nascente, see The Happy morning waits

All Alone (from “Music Box Revue,” 4th Edition, words & music by Irving Berlin)

B 31523-1, -2, -3 (12-17-24)

BVE 37149-1 (17 December 1926)

film 35mm, 70mm (1929)

All through the night (“Ar hyd y nos”) (Walter Maynard, after traditional Welsh/Old Welsh Air: “Poor Mary Ann”)

OEA 8890-1 (10-25-40)

Allerseelen (Hermann von Gilm/Richard Strauss, Op. 10 No. 8)

Bb 11339-1, -2 (9-1-27)

All’erta! All’erta! 0 tempio piu non, see FAUST (Trio)Alma mia, see FLORIDANTEAn die Leier, see To the Lyre

All through the night (“Ar hyd y nos”) (Walter Maynard, after traditional Welsh/Old Welsh Air: “Poor Mary Ann”)

OEA 8890-1 (10-25-40)

Allerseelen (Hermann von Gilm/Richard Strauss, Op. 10 No. 8)

Bb 11339-1, -2 (9-1-27)

Anakreons grab (Johann Wolfgang von Goethe/Hugo Wolf)

Bb 21030-1, -2 (12-3-30)

Angels Guard Thee, see JOCELYN

Angel’s Serenade (La Leggenda Volacca) (M.M. Marcello/Gaetano Braga) C 14623-1 (25 March 1914), with Fritz Kreisler, violin

Annie Laurie (Douglas/Scott)

B 8683-1 (3-4-10)

BVE 40177-1,–2 (10-13-27)

broadcast (2-10-97)

Any Place is Heaven if You Are Near Me (Edward Lockton/Hermann Lohr)

B 20019-1,-2 (6-7-17)

As I Sit Here (Dena Tempest/Wilfrid Sanderson)

OB 5305-1, -2, -3, -4 (9-7-33)

Asthore (C. Clifton Bingham/Henry Trotere)

C 11817-1 (2 April 1912)

At dawning (Nelle Richmond Eberhart/Charles Wakefield Cadman, Op. 29, No. 1)

B 12704-1 (11 December 1912)

At the mid hour of the night (Thomas Moore/Old Irish Air: “Molly My Dear,” arr. Stanford)

OEA 9083-1 (28 January 1941)

ATALANTA: Come my beloved (Valeriani, adapted by Mrs. Rudolf Lehmann, writing as A. L./George Frederic Handel)

Bb 5034-1 (4 September 1924)

ATTILA: Te sol quest’anima (Trio) (Temistocle Solera/Giuseppe Verdi)

B 14692-1, -2 (9 April 1914)

Auch kleine Dinge (No.1, Italienisches Liederbuch I) (Anonymous Italian, translated by Paul Heyse/Hugo Wolf)

OEA 2135-1 (28 June 1935)

Auf Flügeln des Gesänges, see On Wings of Song

Auld Scotch Sangs (Reverend Dr. Bethune/Jane Eliza Leeson)

BVE 40178-1, -2 (13 October 1927)

Automne (Armand Silvestre/ Gabriel Urbain Faure, Op. 18, No. 3)

OB 3852-1 (16 September 1932)

Ave Maria (Adapted from Luke 1:28, 42/Charles Gounod, after Johann Sebastian Bach, BWV 846)

C 13234-1 (2 May 1913)

C 14624-1 (25 March 1914), with Fritz Kreisler, violin

C 14624-2 (31 March 1914), with Fritz Kreisler, violin

Ave Maria (Traditional/Peter C. Cornelius)

Bb 20690-1, -2 (5 December 1930)

Ave Maria (Fred E. Weatherley/after “Intermezzo” from CAVALLERIA RUSTICANA by Pietro Mascagni)

B 14652-1 (3-31-14), with Fritz Kreisler, violin

Ave Maria (Sir Walter Scott/ Franz Schubert, D. 839)

C 14633-1 (25 March 1914), with Fritz Kreisler, violin

CVE 49209-1, -1A, -2, -3 (27 November 1928)

Ave Verum Corpus (Traditional/Mozart, K.618, arr. Schmidt)

OEA 9276-1, -2 (10 September 1942)

Avenging and Bright (Thomas Moore/Old Irish Air: “Mount of the Fenlands”)

Lx 2841 (1908)

Avourneen (E. Cecilia Fitzpatrick/Wilton King)

Edison 13146 (9-12-04)

5923b (9-24-04)

B 14673-1 (4-7-14)

Awakening of a Perfect Spring (A.Perceval Graves/Harold Fraser Simpson)

Lx 2490 (1908)

Away in a Manger, see The Holy Child