| A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | Y |
R
Rainbow of Love, The (William F. Kirk/Gustav Ferrari)
B 20021-1, -2 (8 June 1917)
Rameaux, Les (The Palms)(J. Bertrand/Jean-Baptiste Faure)
CVE 36384-1, -2 (4 October 1926)
Recondita armonia, see TOSCA
Remember the Rose (from “Her Family Tree”)(Sidney D. Mitchell/Seymour S. Simons)
B 27032-1, -2, -3 (17 October 1922)
Remembering You, see As I Sit Here
Ridente la calma (Anonymous Italian/Josef Myslivecek, arr. by Wolfgang Amadeus Mozart, K. 152)
Bb 5096-1, -2 (19 September 1924)
RIGOLETTO: Bella figlia dell’amore (Quartet) (Francesco Maria Piave, after Victor Hugo/Giuseppe Verdi)
4189f (2 May 1910), with Melba, Thornton, and Sammarco
C 14657-1, -2, -3 (2 April 1914), with Bori, Jacoby, Werrenrath
C 14657-4, -5 (8 April 1914), with Bori, Jacoby, Werrenrath
RIGOLETTO: La donna é mobile
Lx 2491[-1], -2, -3, -4 (1908)
B 13222-1 (1 May 1913)
RIGOLETTO: Questa o quella
Lx 2559[-1], -2, -3 (1908)
B 13223-1 (1 May 1913)
Rise, Dawn of Love (Edward Lockton/Neville Campton)
OEA 2133-1 (28 June 1935)
Road That Brought You to Me (words and music by Bernard Hamblen)
B 23043-1, -2 (1 July 1919)
ROMEO ET JULIETTE: Ah! 1ève toi, soleil (Jules Barbier and Michel Carré, after William Shakespeare/Charles Gounod)
C 11832-1 (5 April 1912)
Rosary, The (Robert Cameron Rogers/Ethelbert W. Nevin)
B 11825-1 (3 April 1912)
B 11825-2 (5 April 1912)
B 11825-3 (30 March 1915)
BVE 40171-1, -2 (12 October 1927)
Rose For Every Heart, A (Nelle R. Eberhart/Charles Wakefield Cadman)
BVE 36375-1, -2, -3 (30 September 1926)
Rose Marie (from “Rose Marie”) (Otto Harbach and Oscar Hamerstein/Rudolf Friml)
B 31526-1, -2, -3 (17 December 1924)
Rose of My Heart (D. Eardley-Wilmot/Hermann Löhr)
B 23042-1, -2 (1 July 1919)
Rose of Tralee, The (C. Mordaunt Spencer/Charles W. Glover; or words and music? by William Pembroke Mulchinock; or words & music are traditional)
Film 35mm, 70mm (1929)
BVE 58586-1, -2 (19 February 1930)
Notes: References differ regarding the credits for this song. It seems possible that Spencer and Glover adapted a song for publication that they assumed was traditional. It may also be that Mulchinock wrote the lyric and fitted it to a traditional melody. The notes to Rego RCD-3022 cite an article in “The Kerryman” (newspaper), dated 7 December 1935 assert that the song hails from Co. Kerry and was written about 90 years earlier (ca. 1845), and that it was popular in Kerry for a long time. This article goes on to cite an anthology of Irish poetry, The Minstrel of Erin, published in 1903 (Fodhla Printing Co.), edited by Terence O”Hanlon, in which the verses are given as anonymous. In Mulchinock’s obituary (“The Nation,” 1846), the 1935 article continues, he is described as “a well-known contributor to “The Nation” and is given credit for writing “The Rose of Tralee.” The Rego notes also cite a July 24, 1909 article in “The National Hibernian,” Washington D.C. which credits Maurice Musgrave as the composer (presumably of words and music). Uncertainties about the origins of this song have yet to be clarified.
Rose Still Blooms in Picardy, A (Elsie R. Bowler/Haydn Wood)
OEA 9489-1, -2, -3 (6 November 1941)
Notes: Lyricist as given by British Library.
Roses (Fred E. Weatherley/Stephen Adams)
Lx 2798 (1908)
Roses of Picardy (Fred E. Weatherley/Haydn Wood)
B 22691-1, -2 (16 April 1919)
BVE 41545-1, -2 (13 January 1919)
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John McCormack Society 