Complete Recordings of John McCormack: Alphabetical Listing T

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T

Take, Oh Take Those Lips Away (William Shakespeare/T.C. Sterndale Bennett)

Lx 3137 (1909)

B 11815-1 (2 April 1912)

Notes: Desmond Shawe-Taylor has helpfully supplied the following clarification about the origins of this song: It has long been assumed that the composer “must be Sir William Sterndale Bennett, the eminent Victorian, friend of Mendelssohn and an accomplished composer in what might be loosely called a Mendelssohnian style. In fact the song, which is dedicated to McCormack, is by T.C. Sterndale Bennett (1881-1944), grandson of the composer, himself a light-weight theatrical ‘composer and entertainer at the piano’, and father of Joan Sterndale Bennett, a popular of ‘Peter Ridgeway’s Late Joys’ at the Players Theatre during the war years and afterwards. It was amusing to note that McCormack had quietly made some slight adjustments (improvements, actually) to the printed vocal line by the time he came to make his Victor recording.” (from Mr. Shawe-Taylor’s review of JMACD in Opera magazine.

Take a Look at Molly (Hazel M. Lockwood/Lee W. Lookwood)

B 28604-1, -2 (25 September 1925)

TALES OF HOFFMAN, see CONTES D’HOFFMAN

Te sol quest’anima, see ATTILA

Take a Look at Molly

Tenting on the Old Campground (words and music by Walter Kitteredge)

B 15416-1, -2 (23 November 1914)

B 15416-3 (31 March 1915)

Terence’s Farewell to Kathleen (Helen Selina, later Lady Dufferin/Old Irish Air: “The Pretty Girl Milking Her Cow”)

Lx 2134 (1907)

OEA 423-1 (29 August 1934)

T’eri un giorna, see I GIOIELLI DELLA MADONNA

Terence’s Farewell to Kathleen

Thank God For a Garden (words and music by Teresa Del Riego)

B 23524-1, -2, -3 (11 December 1919)

Thanks Be to God (P. J. O’Reilly/Stanley Dickson)

B 28606-1, -2 (25 September 1923)

Thanks Be to God

That Tumble Down Shack in Athlone (Richard W. Pascoe and Monte Carlo/Alma M. Sanders)

B 23456-1, -2, -3 (5 November 1919)

B 23456-4, -5 (10 December 1919)

Broadcast (10 February 1933)

Then You’ll Remember Me, see THE BOHEMIAN GIRL

There (from “English Lyrics, Set 9”)(Mary Coleridge/Sir Charles Hubert Hastings Parry, Op. 176, No. 7)

Bb 21026-1,-2 (3 December 1930)

There is a flower that bloometh, see MARITANA

There is a Green Hill (“Le Calvaire”)(Francis Alexander/Charles Gounod)

OEA 9062-1 (17 December 1940)

There is not in the Wide World, see The Meeting of the Waters

There’s a Long Long Trail A’ Winding (Stoddard King/Zo Elliot)

B 20018-1, -2 (7 June 1917)

Thora (Fred E. Weatherley/Stephen Adams)

Lx 2500 ( 1908)

Three Aspects (from “English Lyrics, Set 9”)(Mary Coleridge/Sir Charles Hubert Hastings Parry, Op. 176, No. 1)

Bb 21029-1, -2 (3 December 1930)

Three O’Clock in the Morning (Dorothy Teriss/Julian Robledo)

B 27029-1, -2, -3 (17 October 1922)

Three Shadows (Dante Gabriel Rossetti/Henry Thacker Burleigh)

B 20027-1, -2 ( 8 June 1917)

Through All the Days to Be (Royden Barrie/Barbara Melville-Hope)

BVE 33820-1, -2, -3 (27 October 1925)

Tick, Tick, Tock (words and music by Bernard Hamblen)

BVE 38732-1, -2 (6 May 1927)

Till I Wake (No. 4 of “Four Indian Love Lyrics” from “The Garden of Kama”)(Lawrence Hope/Amy Woodforde-Finden)

OEA 8821-1, -2 (11 July 1940)

Tis an Irish Girl I Love (from “Macushla”)(Joseph Keirn Brennan and Alfred Dubin/Ernest R. Ball)

B 23755-1, -2 (4 March 1920)

To Chloë (An Chloë)(Johann Georg Jacobi, trans. McCormack(?)/Wolfgang Amadeus Mozart, K, 524)

OEA 9277-1 (10 September 1942)

Tommy Lad (Edward Teschemacher/E. J. Margetson)

B 18385-1 (20 September 1916)

TOSCA: E lucevan le stelle (Luigi Illica and Giuseppe Giacosa, after Victorien Sardou/Giacomo Puccini)

Lx 2501[-1], -2 (1908)

TOSCA: Recondita armonia

B 8818-1 (8 April 1910)

To the Children (A. Khomyakoff, trans. Rosa Newmarch/Sergei Rachmaninoff, Op. 26, No. 7)

B 27047-1 (20 October 1922), with Edwin Schneider, piano

B 27085-1, -2 (20 November 1922), with orchestra (dir. Pasternack)

Bb 5117-1, -2 (24 September 1924), with Fritz Kreisler, violin

BVE 27085-3, -4 (17 December 1925), with Edwin Schneider, piano

To the Lyre (“An die Leier”) (Franz Seraph von Bruchmann, after Anacreon/Franz Schubert, D. 737)

CVE 49237-1, -2, -3 (partial matrix) (6 December 1928)

Träume (No. 5 from “Wesendonck Lieder”)(Mathilde Wesendonck/Richard Wagner)

2EA 2766-1, -2 (7 April 1936)

TRAVIATA, LA: Lunge sa lei … De’miei bollenti spiriti (Francesco Maria Piave, after Alexandre Dumas/Giuseppe Verdi)

C 8693-1 (10 March 1910)

TRAVIATA, LA: Parigi, o cara

C 14686-1, -2 (8 April 1914), with Lucrezia Bori, soprano

Parigi, o cara

TRAVIATA, LA: Duet (title uncertain)

4187f (12? May 1910), with Nellie Melba, soprano

Notes: The title of this duet is unknown, according to William R. Moran, who speculates that it was “Parigi, O cara.” (Nellie Melba – A Contemporary Review, Westport, CT: Greenwood, 1985. Discography, item #92, p. 457.)

Tre giorni son che Nina, see Nina

Trees (Joyce Kilmer/Otto H. Rasbach)

OEA 8809-1, -2 (19 June 1940)

TRISTAN UND ISOLDE: 0 König, das kann ich dir nicht sagen (libretto and music by Richard Wagner)

BVE TEST 426-1 (15 October 1929), with Edwin Schneider, piano (test recording: ends abruptly)

CVE 58692-1 (10 March 1930), with orchestra conducted by Nathaniel Shilkret (first published ca. 1951)

TRIUMPH OF TIME AND TRUTH: Dryads and Sylvans (George Frederic Handel)

broadcast (2 January 1938)

Trotting to the Fair (Alfred Perceval Graves/Old Irish Air, arr. Sir Charles Villiers Stanford)

Lx 2843 (1908)

Trumpet Call (P. J. O’Reilly/Wilfred Sanderson)

B 20016-1, -2 (7 June 1917)